The History Man Lord Sackville talks about famous ancestors, becoming an author, Sevenoaks and restoring the family home with the help of the National Trust These are exciting times at Knole, the grand Sevenoaks ‘calendar’ house that has been home to Sackvilles, Dorsets and Sackville-Wests since an Elizabethan Sackville drew up an elaborate will to devise its descent, throughout the centuries, from ‘heir male to heir male.’ No amount of tomboyish behaviour by Vita Sackville-West, who adored the house, could shake Knole free of that masculine grip, and indeed it is the nephew of Lionel Bertrand Sackville-West, the sixth Baron Sackville - who had five daughters - that I have come to visit. Robert Bertrand Sackville-West, 53, inherited the title of Baron Sackville in March 2004 on the death of his uncle, and three and a half years ago moved into the south wing with his second wife Jane and their three young children. But Robert is no stranger to Knole: “When I was nine my parents moved into the north wing (where his mother still lives), so from nine until I went to university, Knole was home. “One of the advantages of spending my childhood in another part of the house is that when we moved into this part I had no emotional attachment to any particular rooms, so it allowed us carte blanche to do what we wanted - within the restrictions of our ownership.” Therein lies the rub. This is no ordinary house – since 1946 it has been in the care of the National Trust, which owns the house and about 43 acres of the park. But considerably more than half the house (plus the gardens and the rest of the surrounding estate) is still home to the Sackville-Wests. So is it a harmonious arrangement? “It is harmonious, but I think it’s changed a lot over the past five years,” Robert says. “The family handed the house over to the National Trust at a time when many country houses were being demolished, so the Trust really saved it. “We have now been looking at how we can work more closely together and in particular how we can make more space available. The show rooms are important and magnificent, but they give a very one-dimensional view of Knole of in its most glorious era, the early 17th century.” Change has already begun, with the opening of the magnificent Orangery and adjoining visitor centre in August 2010. Within the next few years visitors will be able to see twice the area they can today, including The Retainers’ Gallery in the attic and a rare surviving example of a trompe l’oeil Jacobean staircase. A total of £15m is needed for the work, with the first phase due to begin in April/May when over the course of two years the whole of the south and east front, the roofs above, the stonework and windows will be conserved. Robert says: “At some point every single bit of the house will be covered in scaffolding and we will be here living with all this, but we know it has to be done –a watertight ship has to be created first so that when all the wonderful textiles and furniture have been conserved and can go back in, they stay conserved. You need the cladding to preserve the treasures within. “It’s very exciting and also very necessary, because if it doesn’t happen the place will gradually crumble.” But how does he go about preserving his family’s privacy, with ever-increasing access by the outside world, building works and regular ‘takeovers’ by film companies (The Other Boleyn Girl, 2008, Burke and Hare, 2010 and Pirates of the Caribbean: On Stranger Tides in 2011 – all have used Knole to great dramatic effect). Robert admits: “You can rarely completely shut the front door and feel you are just in your own home. It’s something you just have to get used to and while there are times when it is a bit irritating, in fact it’s outweighed by all the other wonderful things about living at Knole.” The family feel most at home in their Aga-warmed, spacious kitchen and the private courtyard just outside. “On the rare occasions when you feel you are being overlooked in your own house, that’s difficult – but I love to see people out there enjoying the estate.” Robert has bucked the family trend by having a son as well as two daughters, but as Arthur is the middle child, might succession eventually pass to his eldest daughter? “The worst thing would be if you felt any obligation – you have to want it – and fortunately both my father and my uncle lived to a ripe old age and therefore there was no immediate need to think about it properly until I was in my forties – so it didn’t dominate,” says Robert. “If any child of mine felt that they were constrained in the way they live their life, that would be quite wrong. In the longer term it’s not reasonable for it to inevitably go to a boy.” Wouldn’t Vita turn in her grave? “Vita would indeed have loved the role, but had it not been for what she saw as her disinheritance, we certainly wouldn’t have had Sissinghurst, which she created really as a response to not getting Knole.” The comparisons with his illustrious ancestor are inevitable. In 2010 Robert, who read history at Oxford and has his own publishing business, won critical acclaim for his book Inheritance: The Story of Knole and the Sackvilles. Now he is halfway through a second, The Disinheritance, about the five illegitimate children of a former Lord Sackville, the result of the latter’s affair with a Spanish dancer. Read more Kent Life Magazine
